Yes, I do believe your feelings toward Olympus and this product are very honest. Let me clarify the local principals, not HQ. And despite that I still bought it. I guess I am precisely the kind of idiot they want after all. Thanks for the honest and thorough review Ming. Question; did you like within it s obvious limitations the performance of the Panasonic 35-100mm f4-5.
6 in the 75-100mm range. It s a surprisingly handy lens, given its size and price. Only good at two apertures though 5. 6-8 at that range, limited by diffraction and the lens design. Make sure you have enough light. Thanks Ming, I plan to use it in good light fast primes in low light so no problem there. While back in Boston a few weeks ago for a conference at MIT, I shot a night Red Sox games with this Pana 35-100 4 lens and an E-P5 at ISO 400. It did rather well, although the corners do lag a bit.
Burst mode action shots of the plate and first base action from well up in the stands were surprisingly sharp crisp. I was quite surprised and pleased, given the low cost and its minimal size and weight. It s actually not that difficult to design a moderate speed lens which doesn t have to covers a large area; fast perfect large format that s where things become challenging. Any idea what the maximum recording time is.
AFAIK, all cameras coming to the EU have a maximum of Ming Thein says. Mine appears to be limited only by card size I don t see a countdown anywhere. That said, I have not ever run a camera 30min for a single take. Battery life is actually less of an issue than you might think. I have shot a 8h operation with about 5h of actual video time on a single battery, with a bit of charge remaining at the end. These are surprisingly power-efficient cameras, especially compared to the Nikons 1-1. 5h of video and a larger battery is toast.
Aah, a very special and select selection to illustrate. Dali can go hide himself. And thanks for the revealing review. Still hoping for an affordable higher resolution OM-D-quality-IBIS camera. My _temporary_ solution for a longer reach is the now cheap EOS-M MagicLantern for focus peaking and zebra clipping warning with an EF-S 55-250 IS STM, rather usable with a screen loupe, but quick only in auto modes only one dial.
The shutter is fairly quiet. Well, if only Sony would stop compressing their raw files. And make a better IBIS referring to your review above. And combine it with the more affordable APS-C sensor. Or Olympus adopting the possible future Fuji-Panasonic new technology higher res. High resolution for moderate digital zoom between fewer primes and for large prints.
I think more likely is the 20MP M4 3 sensor that sony just announced it is doubtful this is going to improve on dynamic range at all. Or show much of a meaningful increase in resolution over 16MP, for that matter. And I love the way your watch photography has improved. Dali can really go hide himself. Seems to be harder for them than for me to quit smoking. But at least you want to, right.
That s got to count for something. Then smoke the Ming. or perhaps my way, a cigar or pipe after a good dinner, or occasionally, without inhaling. Shouldn t influence health too much. and it helps keeping your fingers from your camera when possible shots come to your mind and they stop doing if it s a good smoke. I literally don t move my cigar away while shooting.
Love the dodge and burn natural. I hope you have a weather. smoke-sealed camera. I can imagine smoking influencing shooting positively, but I can t really imagine shooting making the smoking more enjoyable. Well, it doesn t make it worse. And if you re doing very long exposure astrophotography. it doesn t make it the smoking. That s really multitasking. But you will have to avoid distorting the milky way.
Perhaps with a superlong tele wide open for lack of dof. Or by choosing a night with a light breeze very light to enjoy the look of the smoke. Saves us renting a smoke machine for the cinematic shots. Perhaps they will consider doing so about the same time they start planning a serious sert of e-mount lenses. sert setSorry. We ll see Kristian. There s a few signs in the horizon if the Zeiss Batis series are indicating a new aera with a serious RAW output from the E-mount cams.
It s not so that Sony did not hear the message. I think they did. Thanks for your interesting articles. You ditched the 1st OMD for some iqoption ou and had been using DSLR and medium format cameras since then most of the time for many months for more superior image resolutions to meet your requirements, probably you had used to carrying them around wherever go go not to miss any shot and for maintaining consistency in your image quality.
If that s the case what s the point to have the OMD back, if it can t meet the Ultraprint requirements. If you are going to use it for casual shooting and teaching, is there other better choice of cameras you mentioned few in your last paragraph or just merely out of curiosity and G. you had the OMD back. I thought I mentioned several times in the review it s for video work. I ve been wanting to get into MFT for a while because of size and lens choicesbut I m unsure of whether or not I should get the E-M5 MKII, the E-M10 or just pick up a used EM-5.
The E-M10 is half the price of the MKII right now and I get 100 cashback as well with a kit lens, but then again, I want the high end features because of GAS. I d skip the E-M10 because the IBIS system is cut down and not as effective. It s either a used E-M5 if you re shooting stills only, which has no issues and pretty much identical quality to the rest, or a new E-M5II if you re doing video. The only time I d pick the E-M1 is if you need PDAF on legacy 4 3 lenses. A friend of mine has the E-M5.
Maybe I ll borrow hers to try ut out before I make a decision. The EM5 original version also suffers from shutter shock. Not sure, Ming, where you got the impression that it wasn t subject to the problem. From extensive use of two bodies, testing three additional others, and 50,000 frames and never seeing it. Speaking of testing bodies, Ming, did you ever test another E-M1 to see if shutter shock was impacting all of this model, or just a portion of those produced. I know they introduced the firmware updates, but it is my understanding that this does not fully eliminate the issue.
Between my partner and I, we owned four bodies. I spent a day testing an additional 89 bodies at Olympus HQ, which is basically everything they had in stock at the time. They were from four different batches, and two of those bodies were purchased outside the country. All of them exhibited the problem. Frankly, this is something that should be done by the QC department at the factory, not an end purchaser. That is a lot of bodies to test. Thank you for the detailed reply.
I have had an E-M1 for some time and while I love the ergonomics, I have found what I believe to be a higher than normal for me number of shots that do not seem as crisp as one would expect they should be. Now, I know that user error and lenses are also possible culprits, primarily the former, but I just cannot seem to put my finger on it. I am not ready to completely put the issues on the doorstep of shutter shock, but at least I know it is not an unreasonable culprit. You re telling me.
We thought it was a one-off issue at first because the initial preproduction review unit didn t show the problem, but turns out to be most certainly systemic. Given that I had one of the highest technical hit rates ever i. perfect focus no camera shake with the E-M5, the soft blurriness or double imaging seen on the E-M1 was perplexing.
It s gone on the E-M5II. Given your very careful approach and attention to detail, I m surprised that you didn t see any shutter shock with your EM5. I certainly have with mine, and many others have as well. Here s a particularly insightful and carefully done analysis of shutter shock on the EM1 and EM5 for your edification. I would certainly have mentioned it if I saw it, but generally if you don t see it in several units chances are it isn t an issue.
Though there s no way to be sure unless you test every camera, which is of course impractical. It was very obvious and consistent with every single E-M1, though. All 80 cameras I shot in one way or another. Do you remember, when shooting on the original E-M5, whether or not you kept the image stabilization always on, even when shutter speeds would not have warranted its use.
And did you use the anti-shock feature, which also creates at minimum a 1 8 second shutter lag although this option might have come in a firmware update after your time with the camera. I am definitely struggling with shutter shock on my E-M5, which I ve had since its release. I am doing my own testing now on how much impact IS on off and anti-shock on off is having.
And I ve come to be wary of using any shutter speeds between 1 80 and 1 250 In any case, you seem to have shot a lot more with the E-M5 in your short period than I in all 3 years, so I would very much appreciate your answer to the questions above. IS was always on, and I never used anti-shock because of the lag introduced.
I always ran the latest firmware. It seems I might have gotten lucky with my two cameras, and unlucky with all 80 E-M1s. This review is definitely very interesting to me, not because I shoot Olympus or plan to, but simply because I had the privilege of watching you shoot with it for the first time and all the frustrating bits and pieces that followed. But I highly doubt there is anybody else who has shot this camera with a stopped down Nikon PC-E I still recall your Eureka moment or under as many different conditions as you did for this review.
Well, it was a bit of a faff to get it to stop down mount on Nikon body, select aperture, press stop down button, unmount without turning camera off so magnetic diaphragm stayed engaged let s just say it probably wasn t necessary other than for curiosity. I m not really sure why Olympus didn t consult photographers or filmmakers enough before releasing this camera.
Well I guess the photography bit is ok, but if I was just thinking of a camera for stills I d stay with the E-M1 or E-M10. For video this was what everyone was hoping for, a much better codec combined with the fantastic IBIS. Unfortunately they should have released it with a 1080p image at least equivalent to the current Panasonic picture and have considered the functionality and firmware a bit more. This camera could have been a runaway success similar to the original E-M5.
I think I ll wait to see if they improve things in the next iteration. Until then I will stay with my unstabilised Panasonic cameras which seem to be better hybrid devices. They might have done, but it looks like only some of my feedback from the first generation let alone the E-M1 made it back. No idea if it was filtered locally or at HQ level. I still think this is a better stills camera than the E-M1 though we do not have any issues with shutter shock and continuous shooting, and IBIS is further improved still.
I think there may still be hope for the iqoption ou output if we use an external recorder via HDMI out this option might bear further investigation, but really increases the size of the whole thing. I was wondering how well this camera would pair with the upcoming Blackmagic Design video assist. Seems like a relative bargain at only 495 and also fairly compact. Might be worth considering. Guess we won t know til there s actually a product to try. The Atomos Ninja Star could be a great pairing too.
But I have not found a single footage with the pair and only a single mantion about someone which tried and said that saw no gains without footage. Could be true looks like the problem is in the sampling method, not with the codec. I was looking at that too, but the recording frame rate appears to be limited to 30p. There was one mention of clean 4 2 0 HDMI out on another site, but I haven t seen anything else.
Could possibly be that nobody has tried it because if you re going to rig one of these things, chances are iqoption ou don t mind the size and just went for something with better native video quality on a gimbal. The Blackmagic Video assist offers 10 bit 4. 2 ProResHQ recording in 1080p 24 25 30 60 and the E-M5 Mk II outputs YCbCr 4 2 2 via HDMI so it seems like it could be a good match.
Regarding the size thing I was figuring that it could be cool to have a long HDMI cable, stick the recorder in a coat pocket and still have a relatively compact shooting experience, with the significant benefit of the wonderful 5 axis IBIS. For the extra few hundred bucks I wonder whether you d see a significant improvement in video quality. It has to be worth trying. That does look interesting.
I m in love with the images Ming. And on top of that they sell cameras. I am on standby until I see a vast improvement of the sensor performance. Until then I m good with the EM-1. Thanks Gerner. It seems that is not what the principals believe though they think fanboys and blind optimism and higher spec sheets sell cameras.
I would say let them believe what they want. the camera isn t going to get you one mm of compositional value. so they d be better off nursing the good photographers out there and colaborate. Then they would perhaps contribute to a better bottom line for big Oly. I don t think they see it that way. At these days, every camera and lens manufacturer needs some support. I d better go buy a spare then. Ah, the Voice of Independence. Thanks for this review Ming. Very honest and enlightening.
Can t help but feel that some issues can be rectified by FW upgrade. Olympus built a good rep with the E-M1 FW upgrades, so there s hope for the future. One question on recommendations a second body next to an E-M1 with FW 3. Another such E-M1 or this E-M5 Mk II. Thanks Peter. That s the good and bad news bad because they shouldn t have been issues in the first place, good because they re very easily solvable.
And then we go from a 80 camera to a 95 one. That last question is tough the E-M1 still has no way to have continuous shooting and shutter-shock free images; the E-M5II lacks PDAF for legacy lenses but has much better video. On the balance of things, I d be inclined to say E-M5II actually. I agree on equipment issues. They shouldn t be there in the first place. As discussed before, the manufacturers should stop using its base of followers as beta testers guinea pigs for their rushed-to-market equipment.
Apparently show schedules, press releases and beating the competition are more important factors than being a reliable brand for their customer base. On the second cam question I suspected the E-M5 MkII would have you preference. Currently has mine too. And although I m not the one to procrastinate, I may wait this time to see what the E-M1 MkII will give us. Well, the customers will only play the fool once. After that, we vote with our wallets. All that s left is the shallow hope that there are enough people who have no choice but to buy your product, and frankly, that s a really naive way to run a business.
But hey, what do I know I m just a photographer. The E-M1 II will certainly be expensive. It s already not far off a D750 and I know which I d rather have at that price point. There is no comparison on image quality stills or video. Thanks for transcending your difficulties with Olympus and providing a review. I thought when the multi-shot high res feature was given a lot of attention at the time the camera was released that it was a neat trick but only a trick, not offering a lot of real world value.
Even with the shortcomings you ve disclosed, the E-M5 II looks like a good fit for me. Now to find a way to afford one. Oh, and despite the built-in glitches and the incredible level of irritation provided by the manufacturer, every time you pick up an Olympus camera it starts spewing forth the most gorgeous images. There seems to be some form of synergy there.
I m sure the added Ming factor is the dominant contributor, but the result is always impressive. Even your earlier Olympus lens reviews show it. Do you see yourself keeping the E-M5 MK II for the foreseeable future. Yes, because it does what I expected it to no more, though. Also, it s rather expensive to buy just for a review, no. But didn t you do that with the Fuji XT-1. I jest, I am aware that the handling especially the direction the lenses turn did not agree with you.
No, I never reviewed it. And yes, I lost quite a bit on that one, too. It wasn t the lens direction, but the shutter speed and ISO dials which you cannot change, because they re engraved. But it found a good home with us. My loss is your gain. Glad it went to a good friend. Wow, so you feel out of love with the X-T1. Couldn t get used to the dials spinning the wrong way and no way to reverse that. 15 years of muscle memory has them going the other way.
I was missing shots and it was driving me iqoption ou. Yes, and using the other system regularly, and having them work opposite ways was a pain, I am sure. I have tried the Fuji bodies, and even though some people feel they touch their soul or something, I just found them massively painful and fiddly, as someone who shoots all manual. I don t want the camera to get in my way of doing what I want. Well, ergonomically they feel great. But hard-coded dials are a blessing and a curse, depending on which way your fingers think is positive.
Mine were the opposite direction and they definitely got in the way. Since it was easier to change the camera than my fingers, that s what I did. 20MP sensor with 121 PDAF points, up to 4K 24P video at 237Mbps data rate 10x the E-M1, 5x the E-M5. 2and speed, speed, speed 18fps RAW, 60fps full resolution JPEG, electronic front curtain and full. shot mostly with a Olympus E-M5 II, Zeiss Otus 1. 4 85, Zeiss ZM 1. 4 35, and Canon 5DSR, post processed with the Cinematic workflow.
additional DOF, end image quality isn t that much better than say M4 3. I actually found the E-M5II to be a fairly good camera for this purpose. The GR was also handy because it s always ready. of a niche by Olympus of its EVF cameras we have the photo-centric E-M1, the video-centric E-M5II, the budget-centric E-M10II, and now the PEN F. One thing that struck me throughout the test period. 4 35, and Canon.
series was shot with a Canon 5DSR and Zeiss 1. 4 85 Otus or an Olympus E-M5 II and Zeiss 1. 4 35 Distagon. blazing possibly even a hair faster than the Q. It didn t feel any slower than the E-M5II or E-M1 either, which are also speed demons. More importantly, speed and accuracy appear to be. times as long, metering that s far more accurate, and highlights that never seem to clip.
The E-M5 II remains only for handheld video and stuff that doesn t benefit from more resolution. The niche Sigmas were the first, but they don t form a complete system; then came the Olympus E-M5 II and its sensor-shifting capabilities, followed by Canon s 5DS 5DSR and the Pentax K-3II which. plan to publish a full review eventually, including comparisons to the D810 and EM5II in high resolution mode since Olympus claims it can hold up. But perhaps more importantly. ROB Ô TRADER OPERAÇÕES BINÁRIAS.
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Robotic cleaners work independently from the pool s main filter and pump system offering benefits including time efficiency, energy and cleaning ability. Where is the best place to purchase a Robotic Pool Cleaner on the Gold Coast.Platinum Pool and spa Centre stock a wide range of robotic cleaners from some of the industry s biggest brands including Zodiac, Hayward, ICH and Davey. 4 M5 on RHEL 7 virtual servers. I have so far configured metadata and compute. After configuring compute, I am running the post validation checks mentioned in Instructions.
html file and having few issues. I am going to raise all my issues in one post, so forgive me for doing that. While restarting the SAS Environment Manager Agent, I am getting an error. sasinstaller sastest bin. sh restart Stopping HQ Agent. Stopped HQ Agent. Starting HQ Agent. running 31426. Running agent setup Should Agent communications to HQ be unidirectional default no yes What is the HQ server IP address sastestmd.
local Should Agent communications to HQ always be secure default yes Yes What is the HQ server SSL port default 7443 7443 - Testing secure connection. Failure Unable to automatically setup Unable to connect to HQ. Compute server sastest. metadata server sastestmd. Issue 2 I am unable to connect to SAS enterprise guide using sasadm saspw, however I am able to connect using sasdemo user.
How do I fix that. When I use sasadm saspw, it keeps asking me for the password again and again. Couple tests failing on SAS deployment tester server SAS IQ,SAS OQStored process server. It is mentioned in the Instruction. html file that, You did not specify the location of the JUnit jar file for Deployment Tester during installation and configuration. Deployment Tester tests other products that use JUnit for validation.
Without JUnit these products may operate properly, but you will not be able to validate them using Deployment Tester. I am validated the stored process server and workspace server and they were successful. Can I safely ignore the SAS Deployment tester tests. Validating operating system services scheduling server failed and here is the error I am getting. 6 20 18 12 44 PM INFO Starting simple validation for Workspace server level 1 - ping 6 20 18 12 44 PM INFO Ping successful. 6 20 18 12 44 PM INFO Starting extended validation for Workspace server level 1 - Making a connection 6 20 18 12 44 PM SEVERE Launch Failed.
Cannot execute program opt sas config Lev1 SchedulingServer SchedulingServer. sherror 2 No such file or directory. 6 20 18 12 44 PM SEVERE The specified executable module either cannot be located or it is not a valid executable. 6 20 18 12 44 PM SEVERE The launch of server Operating System Services - sastest for user sasdemo failed. I go to the path opt sas config Lev1 SchedulingServer and run it and it errors out.
sh status -bash. sh bin ksh bad interpreter No such file or directory. Any help direction guide document to resolve any of these issues so I can proceed further. For the Environment Manager agent to fully work, you need to deploy the middle tier webwhere you will have the SAS Environment Manager server side. sasadm saspw is an internal SAS account. A SAS Workspace Server session unless you have configured SAS Token Authentication does require a OS account, that is also registered in the SAS metadata.
sasdemo is just an example. you can ignore itif you won t use the SAS deployment tester. You have 2 options to re-configure and specifying the location of JUnit best practiceor just ignore and apply the change manually afterwards when required. I recommend to go into the SAS documentation. Check your permissions authorisations for the user that runs the validation and sassrv user. I hope this can help you. I would like to greatly recommend you to go through some important and useful documents from SAS, specially this one, and take it from there.
Also, the course of SAS 9. 4 Platform Administration does help to understand such important concepts. I personally think that anyone installing SAS software, it works better for anyone if we manage to have a good understanding of how the different SAS tiers and components work. JuanS_OCS - Thanks for the super quick response. On issue 1, when I checked the mid-tier installation, I again see only SAS Environment agent configuration, not the server.
Could our deployment plan be incorrect. I see you are selecting option 5, middle tier node. Beware of the node part. Probably you have an option 3, for just middle tier. Try with that. I don t see just a mid-tier option. Option 4 -Metadata server SAS Web Infrastructure Platform 9. 4 M4 has the SAS EVM and studio components in the products to configure list. Wondering why mid-tier without node is not in the drop down. who created this deployment plan file.
I would suggest to contact that person. At first sight, it seems quite strange at few points, to say the least. Maybe it is important to understand the expected deployment or, maybe, rebuild the deployment plan file. Apologies for the late response. The plan was given by our account rep and as you mentioned it was not the right one. We finally got the corrected deployment plan and I have to redo the whole thing.
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