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The result is the CENTRILOGiQ connected technology platform and the LCR. iQ the most powerful and scale-able electronic register platform ever produced. It features a bright high-definition display for easy visibility, durable construction to withstand the elements, large configurable smart keys, and requires little to no training to operate. Further, the LCR. Designed with the future in mind, the LCR. iQ introduces new potential to OEMs and end users to fully customize the fueling experience with configurable screens and tickets, adaptable software, real-time on-screen diagnostics, and remote data access with controls via embedded Wifi and Bluetooth -- opening the door to near-infinite platform expand-ability.

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Do you think the m5 beats it. Looking for m5 vs 80d IQ comparison. what about with ef lenses. like the 50 1. will the adapter hurt. I want a upgraded apsc 70d now and want to stay canon. shouldn t they technically be the same given same environment and lenses. isn t it the same sensor. The sensor is only a part of the equation. processor and firmware plays a big rolein IQ. There are some claims that sensor is little better and that it might not have AA filter in front of it, but we don t know if these claims hold true.

For RAW shooting, I d say rather major part, especially for RAW shooting. Mostly for JPEGs. Also general processing settings play a role. I don t like how Canon uses large radius sharpening. It looks like crap unless you downsize the image to 4k or 2560p. Back on topic. From what I ve seen, it looks like as iq option offline step up in image quality and resolution as that one from 700D to 70D for high ISO noise greater DR and less noise at base ISO speed.

Only you know if it is worthy jump. The M5 is now available in France and it would seem that the AA filter is still there written on the Canon web site, i. e filtre passe bas. I ve been looking at several test shots and they look very identical to what I m getting with my 80D so I would guess we can expect the same excellent image quality. for SooC JPEG using the standard settings, the jpegs look way over- sharpened or poorly-sharpened for my taste.

80D looks quite poorly here in DPR test scene. I wouldn t propably buy M5 if the same was true. 80D produces excellent image quality in real life situations, for me that s what s important. The Fine Detail setting is fortunately better. Might be shutter shock, poor work of DPR, or something else in the test scene. But it doesn t really look good compared to about any competition. Even compared to company s own cameras. It proves that all these lab tests need to be taken with a grain of salt.

I m pretty sure that all high tech camera manufacturers do most of their testing on the field. I went from a 60D to a 70D and now I own the 80D. All three cameras have delivered great results in real life conditions, but I found a big leap in image quality when I switched to the 80D. I have an 80d. I found on things not moving, the live view focus system same as m5 is much better. I could go through the ugly process of micro adjusting, but why.

For bif and other moving objects, I have no idea which is better until I receive and test my m5. My guess is the 80d is better, but my 7d2 runs circles around my 80d as far as focusing moving objects. So if an image is not fully in sharp focus, it does not matter, in my opinion, how good the sensor is. To me focus first then sensor quality second. Mindray M5 for Sale.

Call to configure, special pricing available 1-866-828-1800. MedCorp offers one-time service options, service contracts that include preventative maintenance and a large in stock inventory of available ultrasound parts. Our technicians are among the best in the industry and are trained to fix and work on the Mindray M5. We also offer phone based support and Yahoo IM to our customers and are able to resolve many issues remotely. MedCorp also offers multi-lingual support in Spanish and Portuguese.

The Mindray M5 ultrasound system has multi-functional features including a lightweight body of about 13 pounds. Mindray M5 ultrasound system is capable of providing services for urology, neonatal, and other micro specialties. This laptop sized imaging system comes with speckle suppression imaging, one button image optimization, increased spatial resolution, and tissue harmonic imaging.

For budget-minded offices, MedCorp offers the refurbished Mindray M5 for purchase. Used Mindray M5 s from MedCorp offer everything you d expect from a newer machine, including mode-specific images like B mode, M mode, PW, HPRF, CW, color, power, and DirPower. However, because this is a refurbished Mindray M5, the price is lower than the new models. MedCorp is a trusted source for new and refurbished ultrasound systems with a combined 50 years experience in the industry and a detailed process for ensuring that each system they sell is as good as the day it was manufactured.

Need the same affordability and portability but not sure about this machine. OTHER RECOMMENDED PORTABLE MACHINES. We recommend the following comparable ultrasound machines. The MedCorp Promise. Each used Mindray ultrasound from MedCorp comes equipped with the same advanced functionality and features expected from a new machine. Schedule a free demonstration through MedCorp so you can see how well the Mindray M5 as well as other comparable portable and stand alone ultrasound systems work.

Looking to Sell Your Equipment. Do you have a Mindray ultrasound system that you re looking to sell. Please call us or fill out this form to get a quote on your used ultrasound system today. Need Probes. Need Mindray ultrasound probes for your Mindray ultrasound system. Be sure to check out our partner, Probo Medical, as they have over 7000 ultrasound probes in stock at wholesale pricing.

About MedCorp LLC. MedCorp is a respected provider of new and refurbished ultrasound systems. Follow this link to see the full refurbishment process that every used ultrasound system goes through at the MedCorp LLC warehouse. Features B Mode Color Doppler CW Doppler HPRF iBeam M Mode Panoramic Imaging Power Doppler PW Mode Speckle Suppression Imaging Tissue Harmonic Imaging Trapezoidal Imaging Suitable Applications Abdominal Ultrasound Cardiac Ultrasound OB-GYN Ultrasound Pediatric Ultrasound Portable Ultrasound Small Parts Ultrasound Urology Ultrasound Vascular Ultrasound Compatible Probes.

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Updated March 2020. Now that the camera has been out for several years, does it still perform. Olympus OM-D E-M1 Mark II Review - Updated. We review the Olympus OM-D E-M1 Mark II, with 60fps continuous shooting at 20mp, 18fps C-AF raw shooting, CINE 4K video, 5-axis IS and more. Introduced at Photokina 2016, the Olympus OM-D E-M1 Mark II is Olympus flagship Micro Four Thirds camera, updating the Olympus OM-D E-M1, with an impressive specification, making it the quickest interchangeable lens camera currently available, with high-speed shooting, a 20-megapixel sensor, 5-axis image stabilisation, 4K video recording, a new battery, dual SD card slots and a professional weather-sealed body.

The Mark II is now available for 1199 body only, making it a cheaper option. Have a look at our review to find out if it still stacks up, and what the firmware updates bring to the table. Olympus OM-D E-M1 Mark II Features. Update March 2020Olympus has released the OM-D E-M1 Mark III, an update to the Mark II, with a number of updates, however, is the Mark II still worth a look. With the O-MD E-M1 Mark II, Olympus are promising significantly faster auto-focus AF performance than the E-M1 Mark Iwith 18fps continuous shooting with AF, at 20 megapixels.

In order to deliver this, almost everything in the Olympus OM-D E-M1 Mark II has been changed compared to the Olympus OM-D E-M1, with a faster EVF, new sensor engine with faster readout, larger buffer, faster processor 3. 5x fasterUHS-II card support, and a new battery. Olympus say they had to change it all to improve the performance. We spoke to Olympus about the OM-D E-M1 Mark II, in our Olympus Interview. The camera can shoot at 60fps at the full resolution of 20 megapixels, or 18fps with continuous AF tracking, using an electronic shutter, and up to 15fps shooting with a mechanical shutter.

Video has been improved with the camera offering 4K video at CINE resolution, with bitrates up to 237Mbps. The camera has 5-axis Image Stabilisation IS that is sensor-based, plus a new Sync IS feature, that syncs the sensor image stabilisation with lens optical image stabilisation to give an impressive level of stabilisation. 5 stops of stabilisation. The E-M1 Mark II has been introduced with a new 12-100mm lens, with optical image stabilisation, and when used with the E-M1 II, can give up to 6.

The Olympus OM-D E-M1 Mark II puts the Micro Four Thirds system at the forefront of high-speed shooting with an almost unmatched specification. There are five main cameras released recently that offer high-speed shooting, professional camera bodies, and 4K video, so here s a comparison of the main features and specifications with the Olympus OM-D E-M1 Mark II, Panasonic Lumix GH5, Nikon D500, Fujifilm X-T2, and Sony Alpha A6500.

Sony Alpha A6500 Fujifilm X-T2 Olympus OM-D E-M1 II Panasonic Lumix GH5 Nikon D500 24mp 24mp 20mp 20mp 20mp APS-C APS-C Micro Four Thirds Micro Four Thirds APS-C 5-axis IS sensor Lens-based IS 5-axis IS sensor 5-axis IS sensor Lens-based IS 3inch touch, tilt, 921k dots 3inch multi-angle, 1. 04m dots 3inch touch vari-angle, 1. 2inch touch, tilt, 2. 0x OVF 200,000 shutter rating N A 200,000 shutter rating 200,000 shutter rating 200,000 shutter rating 11fps with C-AF.

14fps 8-11fps 15fps 18fps with C-AF 60fps fixed AF 9fps with C-AF 12fps fixed AF 30fps 6K photo 18mp 10fps with C-AF. 2inch touch vari-angle, 1. 425 AF points 91 AF points 121 AF points 225 AF points 153 AF points ISO100 to ISO51200 ISO100 to ISO51200 ISO64 to ISO25600 ISO100 to ISO25600 ISO50-1640000 4K UHD High-speed video 4K UHD CINE 4K 24fps 50mp Multi-shot mode CINE 4K 24fps4K 60fps FullHD video 180fps 4K UHD Wi-Fi, Bluetooth, NFC Wi-Fi Wi-Fi Wi-Fi, Bluetooth Wi-Fi, Bluetooth, NFC MicroUSB USB3 USB3 USB3 USB3 350 shots 340 shots 440 shots 410 shots 1240 shots 453g body 507g body 574g body 725g body 860g body.

Electronic shutter 8fps, or 11fps with optional battery grip. with battery and SD XQD card. Improved on the Olympus OM-D E-M1 Mark II is the new battery, which is significantly larger than previous Olympus batteries, and the camera will display the remaining battery life on screen at all times as the percentage remaining. You can get further battery information in the battery menu item. USB connection is with a USB Type C connection, which is great news, as it means Olympus are no longer using the proprietary Olympus USB cable on this camera.

Find out the differences between the Olympus OM-D E-M1 Mark II and Mark III in our comparison. Olympus has completely re-developed the focus system for high-speed focus, and 18fps continuous shooting with continuous AF. To enable this, Olympus had to use a new low-power consumption high-speed sensor, a new TruePic VIII 8 double quad-core image processor, and phase detection focus on the sensor.

There s also a new Pre-MF feature, that will let you measure the distance to a subject using the AF system the distance is displayed on screenand then fix the focus at that distance. The phase-detection focus area has been increased noticeably compared to the E-M1, as shown above, with it covering 75-80 of the sensor. There are now 121 AF points all cross-typecompared to 37 phase-detection points on the E-M1.

We ve taken a macro shot of the Olympus OM-D E-M1 Mark II sensor, showing where the phase-detection pixels are located on the sensor. Olympus OM-D E-M1 Mark II Sensor Detail - The darker green is showing the sensor area, and the 5 rectangles in the middle lighter green are the areas where there are phase-detection pixels.

Using the camera s 5-axis sensor-based image stabilisation, Olympus are able to move the sensor at a sub-pixel level to produce a high-resolution 50-megapixel image. The camera takes a number of shots 8 and then combines them in-camera, giving you an ultra high-resolution photo. The camera must be mounted on a tripod for this to work, and there is also the option to shoot a 25mp image, if you don t need the full 50mp resolution.

Art Filters are continued to be featured on the camera, and there are over 25 available. Whilst these may seem like an unnecessary feature, the OM-D E-M1 Mark II lets you use Art Filter bracketing, so you can setup the camera to quickly produce the original photo, plus images that have been processed with the Art Filter, or other colour settings. This becomes particularly useful when taking portrait photos, as you can have the camera automatically produce a black and white and a sepia version straight away, letting you can quickly show previews of the edited photos straight to the model or client.

Olympus Pro Capture mode - This lets you shoot at 60fps, with up to 14 shots taken before you press the shutter, and up to 99 shots after you ve pressed the shutter. You can use this mode when shooting JPEG, as well as when shooting raw. 20 megapixel Micro Four Thirds CMOS sensor 5-axis Sync IS - sensor and lens-based IS for 6. 5 stops 200,000 shutter life rating 15fps continuous shooting with mechanical shutter 18fps continuous shooting in raw with C-AF Silent mode 60fps continuous shooting in raw with fixed AF Silent mode 121 AF points all-cross type covering 75 vertically, 80 horizontal TruePix VIII - double quad-core image processor 3inch vari-angle touch-screen, 1037K dots 2360K dot, high-speed 120fps, 6ms electronic viewfinder, 0.

74x magnification ISO200 - ISO25600, Low ISO64 also available Updated menu system see below New battery with fast charging, and 1720mAh rating Improved noise performance by 1 stop 50mp 25mp high-res shot mode HDR in-camera, Live Time, Live Composite shooting Weather-sealed Dual SD card slots - UHS-II slot 1 USB3 Type C connection, Wi-Fi. Whilst Olympus OM-D cameras have not been the choice of professional videographers, for those that have used Olympus cameras for video, they will have no doubt been impressed by the 5-axis image stabilisation, which has been impressing people since the Olympus OM-D E-M5.

The Olympus OM-D E-M1 Mark II is the first OM-D camera from Olympus with 4K video, and with 5-axis IS the results are bound to impress. They give the ability to produce video results that look professionally stabilised but without the need for a tripod or expensive gimbal or Steadicam solution. 4K video recording at CINE resolution, 24p at 237mbpsUHD at 30, 25, 24fps Microphone headphone sockets on camera 5-axis sensor image stabilisation digital stabilisation Clean HDMI output Micro HDMI connection Sync start stop.

A range of accessories are available for the camera, including the following. HLD-9 AC-5 - Power battery holder, arrow pad adds second battery FL-900R GN58 weatherproof flash, 10fps sequential compatible RM-CB2 remote cable PT-EP14 UW case - waterproof to 60 meters STF-8 Twinflash - first-ever weatherproof macro flash CBG-12 - Cabin approved bag carries 2 bodies and PRO lenses. Olympus OM-D E-M1 Mark II Handling. The design of the E-M1 Mark II and grip makes the camera look like a high-tech Digital SLR, and the handgrip feels excellent in the hand, with a large rubber grip around the front of the camera, and a rubber grip on the back for your thumb.

The buttons feel a little spongy most likely due to the camera s weather sealing but they are large enough and easy to find. There s a good size protrusion on the back for your thumb, and this makes holding the camera with one hand feel secure. The camera design and layout will immediately feel at home to those who have been using the original E-M1, as little has changed, except for a slightly larger handgrip.

Customisation of controls and buttons is a good idea, as this can help you use your camera more effectively. It s likely you ll want to do this to get the best out of the camera, and it may take some time studying the manual before you fully get to grips with all of the controls and options available. There are three custom settings on the mode dial, so if you do want to remember the setup you can go back to it quickly. For general shooting, the super control panel remains a good way to change settings, and you can use the switch next to the EVF to switch what the two command wheels do, for example on default settings switching this to No 2 iq option offline the dials let you quickly change ISO and WB.

Build quality is excellent, with the camera having a solid magnesium alloy body that is weather sealed. The dials on the camera are reassuringly solid being made out of metal, and the knurled metal makes them easy to turn with good grip. The focus points cover a wide area of the screen 75 vertically, and 80 horizontally making it easy to select what you want to focus on.

You can use the touch-screen or the 4-way controller for this, as well as use the touch-screen as a touchpad to set the AF point when the camera is held up to your eye. If you re not a fan of using the touch-screen in this way, you can switch off these features. The screen is extremely clear and bright, with very good colour, as well as a quick refresh rate.

With a vari-angle screen that flips out to the side, care needs to be taken if you want to use the side ports on the camera at the same time. Firmware updates there have been a number of minor and major updates for the E-M1 Mark II since its release, with v3 and v2 being noticeable as bringing big improvements to the camera, so it s important that you ensure you have the latest firmware on your camera.

0 updated the AF system as well as the following. C-AF MF added to AF system 5x5 added to AF target mode Drive priority and detail priority added to Low ISO processing L100 added to ISO speeds OM-Log400 added to video picture mode Anti-flicker shooting. 0 brought about a number of updates, as well as fixes, with improvements to the AF system, improvements to Pro Capture shooting 35 pre-shutter framessupport for additional lenses, improvements to the display of remaining battery power, as well as colour reproduction improvements.

When using manual focus and the electronic viewfinder EVF the camera shows you a magnified view, and thanks to the 5-axis image stabilisation the view in the EVF is excellent, with the stabilisation giving you a steady and stable view of your subject. The EVF has a fast refresh rate of 120fps, 6msand when using the Low continuous shooting speeds upto 18fps electronic and 10fps mechanical shutteryou are shown the in-between live frames, rather than just the photo after it s been shot.

E-M1 Mark II Menu System - The menu system has been updated and designed to be easier to navigate, with each section of the Custom menus now labelled, for example, instead of there being two pages of A options, these are now labelled A1A2A3 and so on. Unfortunately, these are no longer colour coded, and the menus remain difficult to navigate.

An improvement can be found in the video options - which are now kept in their own video section, and we go through the options available later. Share app is one of the better apps out there. Wi-Fi features - Built-in Wi-Fi lets you connect the camera to your smartphone or tablet, and the Olympus O. The High-Res shot mode and Pro-Capture modes are selected within the drive mode settings, whereas they would be easier to find, and make more sense, by being one of the mode dial options, or alternatively Olympus could implement a drive mode dial on the top left of the camera, like others have.

The EVF has an Optical viewfinder simulation mode, called S-OVF Simulated OVFand this expands the dynamic range shown in the viewfinder, as well as showing more accurately what the camera sees, including any colour temperature before correction. It s available for Android and iOS devices. Setting up the connection to the camera is easy, as you can simply scan a QR code displayed on the back of the camera. You can remotely control the camera with live viewyou can import photos, edit photos and add Geotag information to photos.

Battery life - Battery life is rated at 440 shots according to Olympus CIPA test results, or up to 950 shots using quick sleep mode. We took over 420 shots, and the battery life was still showing as 38 remaining. This is doubled with the use of the optional battery grip. In continuous shooting modes, you should be able to get well over 440 shots. This issue looks to have been resolved with a later firmware update. Occasionally, when the battery life was getting lower under 35 the battery would show as a red flashing light to show a low battery warning, other times it would not.

Battery Life for Movie Shooting is rated at Approx. 90 minutes under standard JEITA testingor Approx. 150 minutes when zoom and other operational functions are not used. When repeatedly recording at the maximum time of 29 minutes. Olympus OM-D E-M1 Mark II, Micro Four Thirds System Camera, 16 Megapixels, 5-Axis Image Stabilizer, Electronic Viewfinder, Black. Got your eye on a camera or lens. Photographs taken using the Olympus OM-D E-M1 Mark II.

Report Error Abuse 19 Sep 2016 9 59PM. Report Error Abuse 20 Sep 2016 10 31AM. Report Error Abuse 20 Sep 2016 3 39PM. Quote When will it be available. Report Error Abuse 20 Sep 2016 4 27PM. Interesting and detailed piece, thanks. The dual cards. better battery life and professional service are the biggest attraction for me. Those are the things that might make more professionals take it seriously. I d also be very happy if the focusing is as snappy as the Panasonics already are.

That menu still looks a dogs breakfast, unfortunately but as is said in the write up, that may not be finalised yet. I wonder how they ll price it. About Ј1200 I d guess. What s exciting is all the development that s going into mirrorless cameras now. Throwing computing power at a problem like autofocus might be crude but it is very effective, witness Panasonic s DfD and focus tracking and Olympus s stabilization.

Report Error Abuse 20 Sep 2016 8 42PM. The M5 and this are two entirely different cameras. Think twice balayage about having to replace your canon glass which you could use on the M5, which will outperform the Oly image quality and noise levels very easily. Many Oly OM users buy a Metqbones converter to use Canon glass also, so think carefully. The increased shutter reliability is good news, as replacing OM shutters currently due to wear is very common.

Report Error Abuse 20 Sep 2016 11 28PM. Quote The M5 and this are two entirely different cameras. In terms of noise and DR, Canon s image sensors have been lagging Sony s for many years. and the M5 80D sensor is still not on par with Sony s latest chips. As such, although it s somewhat smaller, Sony s 20mp 4 3 sensor gives up very little to the M5 s sensor in terms of noise performance.

Resolution is somewhat lower, yes, and DoF control is limited by physics as always. but overall IQ is broadly similar. Olympus claims that the sensor used in the E-M1 Mark II has 1 stop better noise performance than the current chip. If that s true, then DoF control will be the M5 s only advantage, sensor-wise, over the Olympus camera. In other words, booyah. Report Error Abuse 22 Sep 2016 3 34PM. The 80D sensor actually surpasses all m43 sensors with regards to DR and noisethough I will bw sticking with m43.

Given that there has been literally zero advance in high ISO on m43 since Feb 2012 I will be shocked if the Olympus claim is a true RAW noise gain of one full stop, I suspect it will just be more better nr on the jpeg engine. Report Error Abuse 22 Sep 2016 10 04PM. Report Error Abuse 9 Nov 2016 1 00PM. Report Error Abuse 20 Dec 2016 6 15PM.

It looks like it has the same little strap lugs as the EM5. I ve had reliability issues with those as they were held by small screws and don t trust them with heavy lenses. I d hope the EM1 Mk2 was more robust. Please Olympus. I ve experimented with the FL-900R on my EM5 and had pleasing results in automatic, but I do still miss flash spot metering lock from my old Nikon D90. Flash Spot Metering Lock, so I point at my subject and it fires a test flash and locks flash power based on the result.

Then I can recompose and shoot at that power. Show on the exposure readout graph the resultant exposure of background as a result of flash low speed limit having been applied. Example you d normally want 1 30s f 2. 8 to expose without flash but it s limiting at 1 60s so that s 1 stop under. Report Error Abuse 4 Jan 2017 12 19PM.

Strap lugs are said to be heavy duty now. That said, I can t of a serious tog who hangs a heavy camera around the neck for more than a few seconds. Not since grip straps appeared in the 1980s. They are brilliant, difficult to drop the camera and it s always ready. Get a Spider Pro, or Peak Design Capture Camera Clip - there are many other such solutions. I rarely unpack the straps from the boxes. com browse - mostly MFT. I might this one, as it is apparently very pretty and has as much advertising as a CaNikSon strap on it.

with a few RB-67 shots thrown in. After failure of my EM-5 s strap lugs I d been nervous even about using them with the lightweight 17mm prime lens on - just in case. Maybe my old habit of more manual flash exposure comes from an older time when it was more necessary to do so, and things have moved on. A good job as my old flash meter seems to have gone walkies probably like other things that go walkies somewhere under my 4 year old s bed.

Report Error Abuse 7 Jan 2017 1 37AM. Concerning my comments on flash, I m finding the auto flash exposure to work and balance well. Report Error Abuse 7 Jan 2017 8 50AM. It is a concern. For the cost of this body I can buy a Sony A7ii body and, if they do their trade in rebate bonus again which is likely some time, the 28-70f4 zoom. This gives me a package of similar size to my EM5 and 12-40f2. 8 but full frame. I take a 1 stop penalty at maximum aperture so noise comparison is 1 stop offset, 2 stops for situations where I m stopping down the OLY to achieve adequate depth of field for my subject group shots.

This may make the noise differences less significant, though the Sony still achieves great dynamic range which can help if I m having to photograph something like a group outside an office in bright sunshine. I d need to increase ISO on the Sony to maintain sufficient depth of field and shutter speed to freeze fidgety kids.

Even outside, as it s winter, I m pushing the Iq option offline up to 400 or 800 to do this, so Sony would be up to 3200. Olympus offers that amazing speed, but I don t use it. Fuji has the lovely control interface and niceties like depth of field indication in viewfinder, but no in body stabilisation. So it comes down to lenses really. The Olympus PRO lenses are really nice if expensive.

I currently have the 12-40 and the non-pro 17mm and 45mm primes which I d have to sell to buy Sony replacements. I d also need to replace my flash. It does leave me torn. I think I ll hire a Sony for a weekend to play with and see what difference it makes. I ve been unhappy with skin tones from the EM5 at times, but I wonder if that s my technique or just bad lighting in the real world.

At the sizes I print quality difference may be invisible. I print up to 12x15 for myself, though I ve seen my images on corporate banners. The latter are viewed at distance though, from the floor of the trade show not close up, and are not there for the art in itself. Most likely result is that instead of looking forward to the upgrade and staying with Olympus my current plan is to cease investment in expanding my kit because there is chance I ll want to sell it before too long.

Report Error Abuse 7 Jan 2017 6 08PM. A review that doesn t test CAF in high speed bursts. BTW it only does Pro Capture with M. Zuiko lenses. Report Error Abuse 7 Jan 2017 11 49PM. No problem folks, I have plenty M. Zuikos Others have tested the CAF - it isn t hard to find Good ergonomics important if you use a cam for an extended period and a portable SYSTEM are more important to me. That pricey new Zukio 25 1,2 completely mashes the quality of any full MARKETING frame 50-60mm f 1,2 standard lens.

And Gimmick shots aside, I mean grinds them into the dust. DOF is not the only important lens quality, Corner to corner sharpness, the shutter speed an extra stop gives you less movement blur and portability are all important considerations. Portability means the camera fits INTO your activities better. Different if you use mainly fixed studio cameras - than that nre 33x44mm Fuji, or the Pentax etc. begin to make sense.

It pays to remember that the sensor is effectively the FILM and you can change film by twisting a few dials Anyone who ever pushed Tri-X for a living will realise how much we ve gained. Don t like the system. Use something else - there s no point wasting your time here. Report Error Abuse 8 Jan 2017 7 55AM. Indeed, my reason for choosing Olympus and Micro 4 3 in the first place was that I wanted a portable system that I could put in an already full backpack along with radio kit and emergency shelter when I m doing communications work in the hills.

This is the older EM-5 Mk1 and the 12-40 lens. I ve pushed T-Max, also had grainy but good photos off T-Max 3200. My Nikon was bulky and I was afraid of taking it out in bad weather, so EM-5 s weather sealing was a winner. I ll have to dig out some old slides to see how things do compare. I think we have gained in the digital world in comparison with old 35mm film.

Kodak was less grainy than Ilford, especially Ilford 400 - though I ve also marvelled at the abilities of Fuji s slide films when projected up to a print size of a meter or two. The black and white films did give very good dynamic range if you were willing to dodge and burn in the dark room. I don t know what those shots would be like if I tried again in digital.

Maybe I ought to. Report Error Abuse 8 Jan 2017 9 12AM. Report Error Abuse 9 Jan 2017 7 55AM. Quote A review that doesn t test CAF in high speed bursts. Report Error Abuse 10 Jan 2017 1 10PM. Quote Quote A review that doesn t test CAF in high speed bursts. Hi Josh, I think the question is probably more about how effectively it tracks rather than how fast it shoots in C-AF. Personally I d like to see it up against the 7DII and D500 in a shoot-out tracking wise. I wouldn t expect it to compare with the D500 but there again, I doubt anything wouldbut if it can get anywhere near close, it will be impressive.

In fact it would be great to see a 5 way shoot-out including the three mentioned along with the Sony A6500 and the Panasonic GH5 once available. Any chance - at least of a one-on-one. Report Error Abuse 14 Jan 2017 12 31PM. Report Error Abuse 4 Jan 2017 2 25PM. Olympus OM-D E-M1 review Pro grade body, Pro grade Sensor. It has, for example, a similar 16-Mpix L-MOS sensor with the built-in 5-axis image stabilization, a high-resolution electronic viewfinder and pullout, tilting high-resolution 3-inch LCD touchscreen rear display.

The OM-D E-M1 is the firm s new flagship model is to replace the E-5, rather than E-M5, which will exist alongside the new model. As a result the E-M1 features a new much larger, pro-worthy outer shell than the E-M5 and yet it has many of that camera s features that made it so popular. One of the most significant advances though is that the image sensor includes dedicated phase-detection pixels as part of a new 37-point AF system, which promises improved performance with the firm s range of Four Thirds lenses for the E-series models using an optional adaptor.

In addition, the 1,399 E-M1 retains the 81-point contrast-detection AF system of previous models for focusing with existing MFT lenses. New features over the E-M5 include WiFi for remote triggering and image transfer, as well as focus peakingTrue Pic VII processor with lens corrections, and 1 8000 sec top shutter speed with a 1 320 sec flash sync. 36M-dot LCD, 0. 74x magnification equiv.eye sensor Built-in Wi-Fi for remote shooting and image transfer to smartphone or tablet.

Improvements over the E-M5. True Pic VII processor, with lens corrections 1 8000 sec top shutter speed, 1 320 sec flash sync Built-in microphone socket rather than optional accessory adapter Flash X-sync socket Built-in Wi-Fi Focus peaking display In-camera HDR blending two modes. As you might expect from the overall score, the E-M1 achieved one of the highest Portrait scores from this size sensor with color depth of 23-bits, and a similarly impressive Landscape score DR score of 12.

5 fps shooting with continuous AF 1. 16-Mpix L-MOS Four Thirds format sensor with no low-pass filter On-sensor phase detection elements Twin control dials front and rear with 2 2 dual-mode option 5-axis image stabilization with automatic panning detection S-IS Auto ISO LOW 100 equiv ISO 25,600 Up to 10fps continuous shooting 6. 04M-dot 3 LCD touchscreen display tilts 80 upwards and 50 downwards Electronic viewfinder 2.

The Low-Light result was a little lower than expected at 757 ISO but it s not too far away from the best APS-C cameras. Olympus OM-D E-M1 Versus Panasonic Lumix DMC-GH3 Versus Sony NEX-6 Can the best of MFT match APS-C.

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