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OPÇÕES BINÁRIAS - Como Vender e Sacar DÓLARES SEM TAXAS na IQ Option, time: 6:29

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Is there any official Olympus documentation on movie recording modes outside the manual. I find the manual is lacking in detail in this regard. Specifically, the audio monitoring levels. There are no numbers on the sliders just white bars, then red. Once it hits red is that 0db or the industry standard -12db.

What level is represented when the bar goes all the way to the right into the red and off the line. How is the IQ if compare with Samsung nx600 and pentax k5sll. Hope this is not a stupid question for u p. How do you think this would handle astrophotography using hi-res mode. A typical shot is high iso 1600 in very dark conditions with up to 30 second exposures.

I would like to thank you for all your reviews. I m a pro photographer that s use Canon Nikon Gear. I absolutely love the Olympus EM1 with 12 -40 f 2. 8 I look at all your reviews and images and truly believethat Olympus is way ahead of the game. Love your reviews. Not sure if you still read the comments so may have to try your email but. i have a question regarding the flash. I discovered this blog as I m considering buying a EM10 Mk2 with a 60mm f2.

8 to shoot macro. I saw your macro shooting set-up and was iq option taxas to buy a separate wireless flash unit to copy your method when I saw that the Em5 Mk2 comes with this LM-3. I assume that because it has to draw power from the camera, it can t function physically independent of the camera. But because it has swivel bounce capabilities, maybe I can achieve similar macro lighting if I put a shoebox reflector or a flashbender on it.

The reason I ask is that I was going to pick up the cheaper Em-10 mk2 and the FL600R flash, but the extra cost of the flash makes it a similar price to getting the EM5 Mk2 alone. Thanks in advance, Richard. Thanks for this nice information shared by you. thank you for sharing nice picture. so good result. i want to buy this CCTV Camera. Hi guys, Thank you so much for this wonderful article really. If you want to know more about electronic recycling I think this is the right place for you.

If someone want to know more about Power Life Pro I think this is the right place for you. Amazing information. I am fully impressed with this post. It is very nice and interesting. fwc led wildlife lighting. Robin, thanks for this postings about the E-M5 II and, in other postings, about the Olympus 60mm macro lens.

Regarding high resolution mode, I did some resolution tests and it seems that the high-resolution mode is 1. 45 times as high as the normal 16MP mode not 2 times, as implied by the 64MP raw file size. I think this finding is consistent with Olympus s use of a 40MP jpg to hold the hi-res result. Although I have measurements of the camera s resolution, it s hard to connect the results to what is happening in the camera without more info.

I m puzzled how the camera produces a resolution of 1. 45x instead of an integer multiple. I think it must involve scaling by software. Maybe the 2x image was too fuzzy and so the camera downsizes it. Also I wonder how anti-aliasing fits in. Panasonic Lumix DMC-G80 G85 sensor review Impressive IQ. Although the G80 shares a similar layout with the G7, with dual control dials, large handgrip, 3-in articulating LCD touchscreen, and many of the specs, such as the 16-MP four-thirds CMOS sensor albeit now without the anti-aliasing filterand 4K video capture, it adds several tempting features.

Specifications and features. Most appealing of those, arguably, is the addition of 5-axis sensor shift stabilization plus second-generation Dual IS 2. However, the G80 also gets weatherproofing and a 2. 36M-dot OLED finder with increased magnification now 0. 74x, up from 0. With a magnesium alloy front panel, the G80 also has a more heavily-metaled body.

7xand a high 20mm eye-point for longer eye relief, especially useful if you wear eyeglasses. It shares the same 49-point CDAF plus DFD AF system at up to 6 fps, the same Venus Engine with ISO 100-25600 with expansionand built-in WiFi connectivity. 395g, body only without battery or card. It is available now at a price of around 899 USD body only, around 100 more than the earlier G7.

16-Mpix Four-Thirds LMOS sensor iq option taxas. However, in keeping with the theme of improving capture sharpness, the G80 also features a built-in focus stacking option. 5mm as the G7, but weighs slightly less at 13. The Panasonic Lumix DMC-G80 measures the same 4. In most other regards, the G80 echoes the earlier G7. 36M-dot EVF 5-axis IS, Dual IS 2 3 in 1. 04M-dot articulating LCD screen 4K UHD video at 30 24 fps DFD AF system ISO 100-25600 with expansion 6 fps continuous shooting with AF-C Built-in WiFi connectivity.

Measurements Good all-rounder. Attaining a DxOMark score of 71 points, the DMC-G80 sensor is one of the better-performing four-thirds sensors; however, it s slightly behind the 20. 3-MP sensor in the top-of-the-range DMC-GX8 as well as the 16-MP sensor in the older DMC-GH4. Somewhat surprising is just how well the 20. 1 MP 1-in type sensor performs in the DMC-ZS100 compact it s ranked just below the G80, with 70 points.

Panasonic Lumix DMC-G80 vs. Panasonic Lumix DMC-GX80 vs. Panasonic Lumix DMC-GX8 Equivalent sensor performance. It will likely come as no surprise to see that the relatively new rangefinder-like, 800 GX80 GX85 in North America shares the same 16-MP CMOS four-thirds sensor without an anti-aliasing filter as well as several other core features, including the 5-axis BIS and first-generation Dual IS. Panasonic s top-of-the-range 1,199 GX8 also features a four-thirds sensor, of course; however, it is a different unit altogether, with a higher 20.

3-MP pixel count. Aside from the different sensor, the GX8 shares components with both models. Like the G80, the GX has an articulating LCD touchscreen, a similar viewfinder albeit with even greater magnification 0. 77xand weatherproofing, but the in-body stabilizer is 4-axis rather than then the vaunted 5-axis seen on the later models, though it also features Dual IS with a suitably-equipped lens.

The shared 16-MP sensor has good dynamic range at low ISO, but not even the GX8 with its lower ISO, better color sensitivity, and higher SNR 18 can improve on it, and there s practically no difference at higher ISOs, save for a slight improvement in noise levels and the resulting higher low-light ISO score, equivalent to around just 0. While there s a slight benefit for users at base ISO in terms of color and lower noise levels, there s not much to choose from in overall sensor performance between the G80, the GX80, and the high-end GX8.

Sony A6300 vs. OM-D E-M5 Mk II Behind the best APS-C sensors. Anyone looking at spending 900 on a body will also likely be considering stretching that a little to 1000, in which case the Sony A6300 looks highly attractive. Not only does it have an impressively sophisticated hybrid AF system with no fewer than 425 PDAF points, a faster burst rate up to 11 fps with AF-Cand a weather-sealed body, it has of course a larger APS-C sensor with a notably higher pixel count 24 Mpix.

The Olympus OM-D E-M5 Mark II is just 100 more than the Sony, and while it is also attractive with 5-axis BIS, a 3-in articulating touchscreen, weather sealing, and a viewfinder similar to the GX80 in a highly desirable body it has a similar 16-Mpix four-thirds sensor, with only a very slight improvement in performance. While the Panasonic and Olympus have a lot going for them, in sensor dynamics alone, the Sony is hard to beat.

It has lower noise at all ISOs, equivalent to just over 1 EV in our low-light ISO score. Dynamic range is also quite significantly wider at either end of the ISO range, with around a similar 1 EV advantage. While DR isn t everything in a camera, it is an advantage in sensor performance, and it s a tangible benefit when trying to compensate for strongly back-lit subjects in post-production.

What s more, with the Sony A6300, the wider dynamic range isn t restricted just to base or low ISOs. Panasonic s latest DSLR-style Lumix DMC-G80 G85 is certainly an attractive blend of ergonomics, features, and performance. As for sensor performance alone, the G80 85 sensor delivers impressive image quality overall. Indeed, it is not dissimilar to the 20. 3 MP sensor in the high-end GX8.

Perhaps that s one reason why we ve yet to see the 20. 3MP unit used more widely. Sensor performance is of course just one aspect when weighing the pros and cons of a new camera or camera system, for which other factors such as lens choice, physical size, and of course individual camera features and ergonomics must be taken into consideration before making a decision. Panasonic says that along with the redesigned electro-magnetic shutter mechanism from the GX85, complete with an electronic first curtain and short 1 2000sec maximum shutter speedshutter shock has been reduced by as much as 90.

Panasonic Lumix G5 vs Olympus OM-D E-M5 Review. We compare the latest Micro Four Thirds cameras from Olympus and Panasonic, the Panasonic Lumix G5 and Olympus OM-D E-M5. The recent introduction of the Panasonic Lumix G5 sees Panasonic renaming the mirrorless camera to DSLM Digital Single Lens Mirrorlesswhile Olympus OM-D E-M5 sees Olympus going back to it s Olympus OM SLR roots. The combined effort of Panasonic and Olympus also means they have the strongest lens range of any mirrorless system, and perhaps it s time to re-assess whether a larger Digital SLR is actually needed.

Can these new cameras deliver Digital SLR quality images in a much more compact package. These two models, perhaps, show Panasonic s and Olympus strongest competitors to the Digital SLR market, both with electronic viewfinders and the highest specification Micro Four Thirds cameras available. Panasonic Lumix G5 vs Olympus OM-D E-M5 Features. Panasonic Lumix G5 vs Olympus OM-D E-M5. 05 megapixel Live MOS sensor 16. Panasonic Lumix G5 Key Features. 1mp Live MOS CMOS sensor Sony Micro Four Thirds lens mount Micro Four Thirds lens mount 3inch 920k touch screen 3inch OLED tilting capacitive touch-screen 610k dots equivalent to VGA 1.

44m dot EVF Eye detection sensor with diopter adjustment 1. Olympus OM-D E-M5 Key Features. 3mm Size 121 x 89. 2fps continuous shooting with AF ISO160 - 12800 ISO200 - 25600 Full HD video AVCHD Progressive, Stereo Full HD Video, MPEG4, Stereo Flash Hot Shoe Flash Hot Shoe N A AP2 - Accessory Port Electronic spirit level Electronic spirit level 3 Function buttons soft-keys can be customised on screen 2 Function buttons dedicated, others can be customised Front zoom control, rear dial Front and Rear Dials New digital filters New Art filter s Focus assist lamp Focus assist lamp Built in pop-up flash External pop-up flash Weather-sealed magnesium alloy body Available in Silver, Black, White Available in Black or Silver and Black Size 119.

9mm Weight 348g Weight 373g When compared, the specifications seem fairly evenly matched, although the design of the bodies is where the most obvious differences lie with the G5 featuring a built in flash, while the OM-D E-M5 comes with a seperate compact pop up flash. The Olympus OM-D E-M5 is also available with an optional battery grip for vertical portrait shooting. Panasonic Lumix G5 vs Olympus OM-D E-M5 Handling.

Handling - The G5 includes an improved grip compared to the G3 that it replaces, with a large front rubber grip, as well as a rear thumb grip. The OM-D E-M5 on the other hand features a small front grip that is textured and a large rubber thumb grip on the rear. The E-M5 can have a much larger grip with the optional battery grip that comes in two parts - the first part giving firm grip, and the second part containing another battery and a large vertical grip, as well as additional controls.

Both cameras feature the same resolution EVF with eye-detection making it easy and quick to switch straight to the viewfinder when needed. The G5 features a tilting rotating screen that can be adjusted to a number of positions, while the OM-D E-M5 simply features a tilting screen. The G5 s front zoom control can also be used to control the zoom on power zoom lenses.

Menus - The Panasonic Lumix G5 menus are very clearly laid out, being easy to read with built in help for each option. The screen is very clear and high resolution, with an updated graphic interface that works extremely well with the touch screen. Whereas the Olympus OM-D E-M5 has inherited the slightly outdated menu from the Olympus PEN cameras, this has increasingly become more and more complex as additional features have been added to the Custom menu - this is now a very long list of options that can make it take a very long time to find the options and settings you want.

Like the G5, the E-M5 features built in help that explains each option. Both cameras let you alter the aperture and shutter speed directly in manual mode, the E-M5 with the front and rear dials, and the G5 letting you use the rear dial and front zoom control. 44million EVF with eye detection, dioptre adjustment, vignetting correction Lens based IS World s first 1 5-axis Image Stabilisation Photos Video 6fps continuous shooting, 3.

7fps continuous shooting with AF 9fps shooting4. The Olympus OM-D E-M5 menus can be seen in the full review. Panasonic Lumix G5 vs Olympus OM-D E-M5 Battery life - Both cameras feature similar battery ratings of around 1200mAh, and similar CIPA ratings for battery life with the G5 offering slightly more shots. The differences in actual use is likely to depend on how much you use flash, continuous shooting, video etc.

Panasonic Lumix G5 Olympus OM-D E-M5 CIPA Rating 340 1200mAh CIPA Rating 330 1220mAh Actual Over 350 shots Actual Upto 400 shots. Panasonic Lumix G5 Vs Olympus OM-D E-M5 Speed - We tested the cameras performance at focusing, shutter response, shot-to-shot time, continuous shooting etc. and have posted the results below. To test this we took 6 or more shots and calculated the average, so that consistent results were produced.

Panasonic G5 Olympus E-M5 Shutter Response Previous Next. Panasonic Lumix G5 ISO test images. ISO Noise Performance - The Olympus OM-D E-M5 has an extended ISO range compared to the G5, however the G5 has a slightly lower first ISO setting of ISO160. Noise is very low on both cameras, with the E-M5 showing higher levels of detail and sharpness. With the E-M5 we recommend avoiding ISO20,000 and above due to noticeable colour loss, although detail still remained quite impressive.

With the G5 we recommend avoiding ISO12,800, the highest ISO setting, as this shows high levels of noise and much less detail. Olympus OM-D E-M5 White-balance test images. Panasonic Lumix G5 White-balance test images. White Balance Performance - The G5 doesn t feature a fluorescent preset and auto white balance performs extremely well in a number of lighting conditions. The tungsten preset on the G5 gives a warm result, which may be useful to keep the warmth in an image.

The Olympus OM-D E-M5 has very good auto white balance, with the option to Keep warm colour in the menus, which may be useful in certain circumstances, although can make some shots overly warm. The fluorescent preset on the E-M5 produces a magenta cast under our lighting. Detail is excellent from the E-M5, again with a slightly sharper image than the G5. Olympus OM-D E-M5 Lens test images. Lens Performance - The Panasonic Lumix X Vario 14-42mm power zoom lens doesn t feature the best macro mode, but is one of the most compact lenses available for Micro Four Thirds, and the most compact standard zoom, smaller than the collapsible Olympus 14-42mm lenses.

The Olympus OM-D E-M5 was tested with the M. Zuiko 12-50mm power zoom kit lens that features a built in macro mode offering impressive close-up performance. Both lenses perform reasonably well as kit lenses and both have their own benefits, however part of the benefit of the Micro Four Thirds system is access to an ever growing list of lenses. Olympus OM-D E-M5 Digital filters. Panasonic Lumix G5 Digital filters. Digital Filters - Both cameras feature an extensive range of digital filters and effects, with the Olympus letting you apply filters and effects on top of the options, for example you can apply a frame or vignette on top of most options - it also features a number of black and white options, including film grain.

Panasonic Lumix G5 Lens test images. The Panasonic lets you alter the majority of effects to adjust the strength or colour tone for example, but doesn t feature frames or let you apply effects on top of each other. The Olympus also features multiple exposure, yet doesn t feature a built in HDR mode, while the G5 does. The Olympus OM-D E-M5 is currently the most expensive Micro Four Thirds camera available, however it s design, specification and weather sealing mean it s the highest specification available, priced at 999 body only.

The Panasonic Lumix G5 will be available for 599 body only from the middle of August, making it quite good value for money for a high specification mirrorless camera, and noticeably cheaper than the E-M5. 18 Jul 2012 6 00AM by Joshua Waller Olympus Lumix G5 in Mirrorless Cameras. Panasonic Lumix G5 vs Olympus OM-D E-M5 Verdict. The 12 month cycle of some of these cameras lets Panasonic and Olympus update and refresh their models much more quickly than the more usual 18-24 month life cycle for Digital SLRs, making the specifications and performance of these cameras very impressive in comparison.

They are increasingly making a more compelling argument for themselves to the point where the additional bulk of a more traditional Digital SLR is no longer necessary. The Olympus OM-D E-M5 has moved forward the image quality of Micro Four Thirds cameras noticeably, and its design and near-professional level weather sealing has made it appeal to a new group of traditional Digital SLR users. It delivers extremely sharp JPEG images straight from the camera and has slightly easier to control white balance results warmth, additional presets compared to the G5.

There is an impressive ISO range with particularly good detail even at the higher ISO levels. With less grip the E-M5 feels slightly more compact than the G5, although it lacks the built in flash. The Panasonic Lumix G5 with built in flash and large hand grip gives a great all-in-one package with excellent handling and external controls. Both cameras give excellent control with external buttons and controls that can be customised, however the Panasonic Lumix G5 makes this easier with a clearer and better designed menu and control system.

The G5 also makes better use of the touch screen, while the E-M5s menu system is mostly still controlled by the 4-way buttons on the back. The Olympus OM-D E-M5 excels in a number of areas and delivers exceptional image quality in a gorgeous package. Whichever model you choose betwen the Olympus OM-D E-M5 will mostly come down to price and intended use, for outdoor photographers where weather conditions can be changeable the E-M5 would be an obvious choice, however if your budget is limited, and you don t mind putting the camera away when it rains, then the Panasonic Lumix G5 would be a great choice.

Overall, for the excellent image quality, high specification, weather sealing and impressive built-in image stabilisation, the Olympus OM-D E-M5 gets our Editor s Choice award. One that s resulted in our Editor buying the E-M5 for himself. For more sample photos, details and list of pros, cons, and scores Read our full Olympus OM-D E-M5 Review Read our full Panasonic Lumix G5 Review. 1Mp Megapixels 16. 05Mp Megapixels Pixels W 4608 4608 Pixels H 3456 3456 Sensor Type Live MOS Sensor Live MOS Sensor Sensor Size Micro Four Thirds Micro Four Thirds Sensor Size width 17.

3mm Sensor Size height 13mm 13mm Aspect Ratio 4 3 3 2 16 9 1 1 4 3 16 9 3 2 1 1 LCD Monitor LCD Monitor 3in 3in Screen resolution 610k dots 920k Touch Screen Yes Yes Focusing Focusing modes Autofocus Manual Face Detection AF Tracking Touch AF Spot Multi Autofocus Manual Spot Face Detection AF Tracking Multi Centre Touch AF Exposure Control Shutter speeds shortest 1 4000sec 1 4000sec Shutter speeds longest 60sec 60sec Bulb mode Yes Yes Exp modes Program Aperture-Priority Shutter-Priority Manual Scene modes Program Aperture-Priority Shutter-Priority Manual Scene modes Program Variable Metering Centre-weighted - Average Multi Pattern Spot Centre-weighted - Average Multi Pattern Centre Spot ISO sensitivity 200 - 25600 160 - 12800 White balance Auto Manual Incandescent Fluorescent Outdoors Daylight Cloudy Shade Flash Underwater Auto Manual Outdoors Daylight Cloudy Incandescent Shade Flash Exposure Comp -3 -5 Viewfinder Viewfinder Resolution 1.

Olympus OM-D E-M5 Panasonic Lumix G5 Manufacturer Olympus Panasonic Image Sensor Pixels 16. 44million dots 1. 9mm Height 89. 44million dots Shooting Options Continuous shooting 9fps 6fps Video Movie mode Yes Yes Video Resolution 1920x1080 FullHD 1280x720 HD 720p 640x480 VGA 1920x1080 FullHD 1280x720 HD 720p 640x480 VGA Video FPS 30 AVCHD 1080p at 50 FPS and MP4 1080p at 25 FPS Stereo Sound Yes Yes Optical Zoom with Video Yes Yes Other Features Image Stabilisation Yes No Interface HDMI Yes Yes USB USB 2 USB 2 Wi-Fi No Data No Storage Card Type SD SDHC SDXC SD SDHC SDXC File Type RAW JPG RAW JPG RAW JPG RAW JPG Power Source Battery Type Lithium Ion Lithium Ion Battery Life CIPA rating 330shots 340shots Box Contents Box Contents Body, Flash FL-LM2, Li-ion battery BLN-1, Li-ion battery charger BCN-1, USB Video Multi cable, Shoulder strap, OLYMPUS Viewer 2 ib CD-ROM, Instruction manual, Warranty card Camera, Lens, Body cap, Battery, Battery charger, USB cable, Neck Strap, Software CD-ROM Dimensions Weight 373g 348g Width 121mm 119.

2mm Depth 41. 3mm View Full Details View Full Details. Photographs taken using the Olympus Lumix G5. Report Error Abuse 18 Jul 2012 12 04PM. This statement, more than anything, will have other manufacturers giving a lot more consideration to the CSC designs and their place in the market. People are no longer sucked into the mythology of the so called Professional cameras, and with the new crop of lenses that are becoming available the Image Quality is not only comparable but will often exceed that of the very heavy very expensive kit.

Report Error Abuse 18 Jul 2012 7 22PM. Report Error Abuse 19 Jul 2012 9 24AM. With a price performance IQ and ergonomics the G5 wins for me. I never had it in the 40 years of 35-mm picture taking. I m not worried about weather proofing, 99 of snappers don t have it any way. The E-M5 is aimed at a different market which is pretty small compared to the G series market.

I think Samsung have got it right in all areas, APS-C sensor, light and compact body classed as a CSCsuperb EVF and articulated rear screen. DSLR styling for easy holding and very high 20mp IQ with low noise. The NX lenses are excellent as well, although the choice is small, they are building on this. Report Error Abuse 21 Jul 2012 8 01AM. I don t agree about the mythology of professional cameras. In my working life I covered assignments from places as diverse as 12,000ft high in the Rockies through to the desert in Jordan.

Top range cameras lke Hasselblad and Nikon Canon cost their many thousands of pounds not because they are show off jewellery but because they perform better in every respect- as they should for the money. I can use M4 3 exclusively because as an amateur these days my cameras simply don t get the battering they used to and I don t get commissioned to do exacting location and studio work.

In car terms, the professional cameras are F1 cars and the M4 3s hot hatches. Would anyone seriously consider the M4 3 cameras for this kind of work. If you are a professional and want to save effort by using a high end consumer camera for your work you are lazy - not a good trait for a professional in a competitive environment. Report Error Abuse 21 Jul 2012 2 59PM. You make some very valid points re professionals and cameras. I was looking at the G5 and O-MD from an amateur enthuseasts point of view which I think fits my low level of photography.

I happened to go into one of his studios during that period and he was using other formats, not just 35-mm, but can t remember the makes. Horses for courses as they say. Report Error Abuse 21 Jul 2012 5 48PM. Mine too now that I m an amateur and taking pictures for pleasure and interest. In that guise, I m happy with my GH2 and G3 but would be more than happy with either of those two.

One thing I notice is that while I was a professional photographer at a quite high level, as an amateur there are many people here who do the amateur thing much better than I can. Quote I was looking at the G5 and O-MD from an amateur enthuseasts point of view which I think fits my low level of photography. Its like the David Bailey Ads he used to do on TV for the OM cameras years ago. As a pro, you are either commissioned by a newspaper, magazine, music publicist or someone like that to make real an idea they have or you are dreaming up ideas to photograph and sell.

A good agent like Rex can be a real source of inspiration and guidance with that. As an amateur you have to find time for photography, find motivation and then find ideas. That s quite tough. I had a mate who was a complete amateur and produced work that I found dazzling, a highly talented guy. Yet he could never have earned his living as a photographer as I did. And I could never have done the type of work he did and produced the results he did. Horses for courses again, I suppose. Report Error Abuse 23 Jul 2012 8 16AM.

Way back in my 35-mm Canon EOS 5 and a few long lenses, all fixed primes days I did a bit of semi pro work for an aviation magazine. I loved it because I got in free to most major air shows and air bases. However, all they wanted was pictures of planes either static or landing but you had little time to compose or make the shot more attractive, mind you I did get the odd dramatic picture that made the press. My pics of Argentine Air Force aircraft made the BBC news, but thats really my only claim to fame.

The millions of amateur phots that used to go to those shows probably took more pleasing pictures than I did. I finished my semi pro days taking pictures of properties for estate agents, what a come down. I m strictly photos for pleasure these days. I use a G3 along with a Panny 14-45, Oly 9-18, and a Panny 45-200. I also have a couple of old Olympus cameras, E-510 and a 450. They are worth nothing now to a dealer, so I will keep them, they still take the best Jpeg colours in my opinion.

I also use a Nikon D5100 with a DX 16-85, and picture quality is outstanding but it weighs a ton and gives me neck ache. I could handle the weight years ago but not now. Because I still like APS-C, picture quality I might look for a small and light DSLR, such as a Sony A55 35 37. Its more Donky s for walkies these days for me. Report Error Abuse 23 Jul 2012 3 44PM. Quote I also use a Nikon D5100 with a DX 16-85, and picture quality is outstanding but it weighs a ton and gives me neck ache.

I had a Pentax K5 which I loved but the lenses were big and heavy so I went over to M4 3 and haven t regretted it. Funny thing is, my biggest complaint about my GH2 and G3 is that they are so small I find the controls fiddly to manipulate. No pleasing some people. Estate agents, I wish they would use proper photographers more. They take pictures themselves and if they are sharp and decently exposed they think that is enough.

Any decent pro is not selling his technical ability - even estate agents can expose and focus correctly with a digital camera. A pro is selling his eye for a picture, the ability to see what is attractive or unusual, the selling points in a house and then turn those observations into attention grabbing photographs that will help market the property. That is the value the pro adds.

As an example, I recently bought a place in France. It is the house pictured from the worst possible angle, simply a camera pointed at the place. I looked at loads of places, one of which is on the right of the pic in the link. The pic is well exposed and sharp - after all, that s enough, isn t it. Given that picture, I only viewed the place at all because I had spare time before flying home.

When I went in, there on the left in my pic was the view through from windows. I m glad the agent didn t get a professional photographer in - the house would have been sold if potential buyers had known the situation of the place. Report Error Abuse 24 Jul 2012 6 02PM. It would be very interesting to see what the various performance statistics look like if the same micro 4 3 rds lens was used. Then we would have a true undistorted comparision of the bodies. Report Error Abuse 25 Jul 2012 9 15AM.

Report Error Abuse 26 Jul 2012 8 28AM. Report Error Abuse 23 Jan 2013 7 41PM. I am constantly amazed by comments like but I wish they had the larger APS sensor. The reason most buy MFT is BECAUSE of the smaller sensor which allows smaller lighter lenses. That would totally destroy the MFT as the lenses would have to be bigger heavier to work on the larger sensor. Ariat Flame-Resistant M4 Boot Cut Workhorse Jeans. Ariat Flame-Resistant DuraStretch Women s Basic Bootcut Jeans.

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Pengertian, Rumus, Contoh Soal Perbandingan Senilai dan Berbalik Nilai beserta Penyelesaiannya Lengkap. Pengertian, Rumus, Contoh Soal Perbandingan Senilai dan Berbalik Nilai dan Penyelesaiannya Lengkap Dalam matematika terdapat materi pembelajaran tentang perbandingan. Materi perbandingan termasuk ke dalam golongan aritmatika.

Perbandingan adalah usaha membandingkan dua objek atau lebih dengan menggunakan rumus perbandingan yang tepat. Terdapat 2 dua jenis perbandingan matematika yaitu perbandingan senilai dan perbandingan berbalik nilai. Perbandingan senilai memiliki nilai tetap yang sama, sedangkan perbandingan berbalik nilai memiliki nilai tetap meskipun terbalik. Pengertian dan Rumus Perbandingan Senilai. Perbandingan senilai adalah cara membandingkan dua objek atau lebih dengan besar salah satu nilai veriabel yang bertambah maka membuat variabel lain menjadi bertambah juga.

Misalnya jumlah barang dengan jumlah harga barang, jumlah nilai tabungan dengan waktu menyimpan, jumlah pekerja dengan gaji pekerja, dan lain sebagainya. Berikut rumus perbandingan senilai. Dari rumus diatas dapat disimpulkan bahwa nilai a1 sama dengan nilai b1 dan nilai a2 sama dengan nilai b2. Untuk itu, perbandingan senilai memiliki jumlah nilai variabel yang sama. Pengertian dan Rumus Perbandingan Berbalik Nilai. Perbandingan berbalik nilai adalah cara membandingkan dua objek atau lebih dengan besar nilai salah satu variabel yang berubah maka membuat variabel lain menjadi berkurang nilainya.

Contohnya seperti jumlah hewan dengan waktu makanan habis, jumlah pekerja dan waktu pernyelesaian pekerjaan dan lain sebagainya. Berikut rumus perbandingan berbalik nilai. Dari rumus diatas, dapat disimpulkan bahwa nilai a1 berbalik nilai dengan b2 dan nilai a2 berbalik nilai dengan b1. Contoh Soal Perbandingan Senilai dan Berbalik Nilai dan Penyelesaiannya. Berikut ini beberapa contoh soal perbandingan senilai dan perbandingan berbalik nilai. Di pasar, 5 kg jeruk dijual dengan harga 60.

Maka berapakah harga 10 kg jeruk. Jawab Diketahui a1 5; b1 60. 000; a2 10 Ditanya b2. Maka nilai b2 a1 b1 a2 b2 rumus perbandingan senilai 5 60. 000 10 b2 Lakukan pengalian nilai secara menyilang 5 x b2 10 x 60. 000 Jadi harga 10 kg jeruk adalah Rp 120. Pembangunan rumah dilakukan oleh 6 pekerja dengan waktu penyelesaian selama 20 hari.

Jika jumlah pekerjanya menjadi 10 orang maka membutuhkan waktu berapa hari agar rumah tersebut selesai. Jawab Diketahui a1 6; b1 20; a2 10 Ditanya b2. Maka nilai b2 a1 b2 a2 b1 rumus perbandingan berbalik nilai iq option taxas b2 10 20 Lakukan pengalian nilai menyilang 6 x 20 10 x b2 b2 120 10 b2 12 Jadi pekerja tersebut membutuhkan waktu selama 12 hari. Pembuatan kolam renang dilakukan oleh 6 pekerja dengan gaji seluruh pekerja sebesar Rp 300.

Tapi pemilik kolam renang ingin mempercepat pembuatannya, untuk itu ia menambahkan 2 orang lagi. Berapa jumlah gaji tambahannya. Jawab Diketahui a1 6; b1 300. 000; a2 2 Ditanya b2. Maka nilai b2 a1 b1 a2 b2 rumus perbandingan senilai 6 300. 000 2 b2 Lakukan pengalian nilai menyilang 6 x b2 300. 000 x 2 b2 600. 000 Jadi jumlah gaji tambahannya yaitu sebesar Rp 100. Sebuah rumah dibangun dalam waktu 20 hari dengan jumlah pekerja 7 orang.

Jika pemilik rumah tersebut ingin mempercepat waktunya menjadi 14 hari. Berapakah jumlah pekerja yang harus ditambah. Jawab Diketahui a1 20; b1 7; a2 14 Ditanya b2. Maka nilai b2 a1 b2 a2 b1 rumus perbandingan berbalik nilai 20 b2 14 7 Lakukan pengalian nilai menyilang 20 x 7 14 x b2 b2 140 14 b2 10 Jadi pekerjanya harus ditambah sebanyak 10-7 3 orang.

Sebuah pabrik sepatu memiliki 5 mesin pembuat sepatu dengan waktu pembuatan 8 hari. Jika mesin yang digunakan berjumlah 8. Berapakah waktu yang dibutuhkan untuk membuat sepatu. Jawab Diketahui a1 5; b1 8; a2 8 Ditanya b2. Maka nilai b2 a1 b2 a2 b1 rumus perbandingan berbalik nilai 5 b2 8 8 Lakukan pengalian nilai menyilang 5 x 8 8x b2 b2 40 8 b2 5 Jadi waktu yang dibutuhkan selama 5 hari.

Perbandingan umur Dila dan adiknya adalah 1 3. Jumlah umur mereka 20 tahun. Berapakan umur Dila. Jawab Diketahui Ani Adik 1 3 Jumlah umur Dila dan adiknya 20 tahun Ditanya Umur Dila. Jumlah perbandingan Ani dan adik 1 3 4 Umur Ani 1 4 x 20 tahun 5 tahun. Demikian penjelasan yang bisa kami sampaikan tentang Pengertian, Rumus, Contoh Soal Perbandingan Senilai dan Berbalik Nilai dan Penyelesaiannya Lengkap.

Pengertian Kebudayaan Nasional, Karakteristik, Fungsi, Tujuan dan Contoh Kebudayaan Nasional Indonesia Lengkap. Pengertian Kebudayaan Nasional, Karakteristik, Fungsi, Tujuan dan Contoh Kebudayaan Nasional Indonesia Menurut Para Lengkap Kebudayaan Nasional adalah kebudayaan yang diakui sebagai identitas nasional. Menurut TAP MPR No. II tahun 1998, definisi kebudayaan nasional yang berlandaskan Pancasila adalah perwujudan cipta, karya dan karsa bangsa Indonesia dan merupakan keseluruhan daya upaya manusia Indonesia untuk mengembangkan harkat dan martabat sebagai bangsa, serta diarahkan untuk memberikan wawasan dan makna pada pembangunan nasional dalam segenap bidang kehidupan bangsa.

Kebudayaan nasional adalah suatu kebudayaan yang didukung oleh sebagian besar warga negara dan memiliki syarat dibanggakan serta memberikan identitas terhadap warga. Atau dengan kata lain, pengertian budaya nasional adalah budaya yang dihasilkan oleh masyarakat bangsa tersebut sejak zaman dahulu hingga kini sebagai suatu karya yang dibanggakan yang memiliki kekhasan bangsa tersebut dan memberi identitas warga, serta menciptakan suatu jati diri bangsa yang kuat. Pengertian Kebudayaan Nasional Menurut Para Ahli.

Sutan Takdir Alisyahbana. Menurut Sutan Takdir Alisyahbana, kebudayaan nasional Indonesia sebagai suatu kebudayaan yang universal. Unsur-unsur dikreasikan terutama yang masih langka dan dimiliki masyarakat Indonesia masa itu, yaitu teknologi, ekonomi, iq option taxas berorganisasi, ilmu pengetahuan. Upaya mengkreasi ke arah itu bisa dicapai lewat usaha mempertajam rasio akal masyarakat Indonesia dengan mengambil alih dinamisme Barat. Sanusi Pane. Menurut Sanusi Pane, kebudayaan nasional Indonesia sebagai kebudayaan timur, harus mementingkan unsur-unsur kerohanian, perasaan, dan gotong-royong.

Menurut Poerbatjaraka, kebudayaan nasional Indonesia harus berakar pada kebudayaan Indonesia sendiri, artinya harus berakar pada kebudayaan suku-suku bangsa yang ada di Nusantara. Dianjurkan pula agar manusia Indonesia banyak mempelajari sejarah kebudayaan sendiri. Ki Hajar Dewantara. Menurut Ki Hajar Dewantara, kebudayaan nasional Indonesia adalah puncak kebudayaan daerah. Dalam hal ini ia telah memasukkan aspek mutu karena ungkapan puncak berarti unsur-unsur kebudayaan daerah yang paling tinggi mutunya.

Menurut Koentjaraningrat, ada beberapa konsep kebudayaan nasional diantaranya yaitu. Kebudayaan nasional merupakan karya warga negara Indonesia, termasuk juga karya-karya zaman dahulu di berbagai wilayah tanah air. Kebudayaan nasional merupakan hasil karya warga negara Indonesia yang tema pikiran dan wujudnya mengandung ciri-ciri khas Indonesia. Kebudayaan nasional merupakan hasil karya warga Indonesia dan umumnya dirasakan memiliki nilai yang tinggi sehingga menjadi kebanggaan orang Indonesia.

Karakteristik Kebudayaan Nasional. Adapun karakteristik atau ciri-ciri kebudayaan nasional, diantaranya yaitu. Hasil budidaya masyarakat bangsa. Hasil budidaya masyarakat sejak zaman dahulu hingga kini. Hasil budidaya yang dibanggakan. Hasil budidaya yang memiliki kekhasan bangsa. Hasil budaya yang menciptakan jati diri bangsa. Hasil budaya yang memberikan identitas bangsa. Fungsi Kebudayaan Nasional. Menurut Usman Pelly, fungsi kebudayaan nasional diantaranya yaitu.

Sebagai pedoman dalam membina persatuan dan kesatuan bangsa bagi masyarakat majemuk Indonesia. Sebagai pedoman dalam pengambilalihan ilmu dan teknologi modern. Kebudayaan Nasional Indonesia. Budaya nasional Indonesia adalah budaya yang dihasilkan oleh bangsa Indonesia sejak zaman dahulu hingga kini sebagai suatu karya yang dibanggakan yang memiliki kekhasan bangsa Indonesia dan menciptakan jati diri dan identitas bangsa Indonesia yang kuat.

Kebudayaan nasional sesungguhnya dapat berupa sumbangan dari kebudayaan lokal. Jadi, sumbangan beberapa kebudayaan lokal tergabung menjadi satu ciri khas yang kemudian menjadi kebudayaan nasional. Kebudayaan nasional sendiri adalah kebudayaan bangsa Indonesia yang berakar dari kebudayaan daerah. Tujuan dari adanya kebudayaan nasional ini diantaranya yaitu. Alat perekat bangsa Semangat nasionalisme Identitas negara. Berdasarkan Amandemen ke-4 Undang-Undang Dasar 1945, disebutkan bahwa negara memajukan kebudayaan nasional Indonesia ditengah peradaban dunia dengan menjamin kebebasan masyarakat alam memelihara nilai-nilai budayanya.

Kebudayaan nasional diibaratkan sebagai buah dan daun, sedangkan budaya daerah yang diibaratkan sebagai akarnya. Akar pohon itu harus selalu dipupuk agar tetap subur dengan pengembangan dan pelestarian budaya daerah. Kebudayaan daerah yang berkembang menjadi ujung tombak kebudayaan nasional menimbulkan sikap saling menonjolkan sehingga dapat lahir dari sikap etnosentrisme.

Etnosentrisme adalah sikap menganggap suku bangsa sendiri lebih baik daripada suku bangsa lain. Kuat tidaknya kebudayaan nasional ditentukan oleh kuat tidaknya kebudayaan daerah. Pemerintah menampung semua aspirasi daerah tentang pengembangan budaya daerah terutama setelah keluarnya otonomi daerah, dan memberikan keleluasaan daerah untuk mengembangkan potensinya secara maksimal, tetapi tidak melupakan kepentingan nasional.

Menurut Koentjaraningrat, ada persyaratan yang harus dimiliki kebudayaan daerah jika ingin diangkat menjadi kebudayaan nasional, diantaranya yaitu. Harus memberikan identitas kepada warga negara pendukung kebudayaan itu. Artinya, unsur kebudayaan daerah yang memiliki dan memberikan identitas dan ciri khas itulah yang dapat diangkat menjadi unsur kebudayaan nasional. Harus menimbulkan perasaan bangga kepada para pendukungnya.

Artinya, unsur kebudayaan daerah dapat menimbulkan perasaan bangga bukan saja bagi suku bangsa asal, melainkan juga bagi rakyat Indonesia. Artinya, unsur kebudayaan daerah yang memiliki mutu tinggi sehingga bisa memperkaya khazanah, derajat dan nilai kemanusiaan bangsa Indonesia. Harus bermutu tinggi. Pada masa Orde Baru, pemerintah berusaha membuat sebuah miniature mengenai khazanah budaya dengan pembuatan Taman Mini Indonesia Indah yang di dalamnya setiap budaya daerah terwakili.

Jadi, sebenarnya jika seseorang berbicara tentang mengenai kebudayaan nasional, selalu terkait dengan kebijakan politik pemerintah tentang budaya. Penetapan batik sebagai pakaian resmi pria Indonesia dan kebaya sebagai pakaian resmi perempuan merupakan salah satu contoh bagaimana kebijakan yang diambil pemerintah. Tujuan Kebudayaan Nasional Indonesia. Terdapat 4 empat ketentuan arah dan tujuan pengembangan kebudayaan nasional Indonesia, diantaranya yaitu.

Kebudayaan nasional merupakan perwujudan hasil upaya dan tanggapan aktif masyarakat Indonesia dalam proses adaptasi terhadap lingkungannya dalam arti luas. Kebudayaan nasional merupakan perpaduan puncak-puncak kebudayaan daerah, sehingga mewujudkan konfigurasi budaya bangsa. Pengembangan kebudayaan nasional itu harus menuju ke arah kemajuan adab yang dapat memperkokoh persatuan dan kesatuan bangsa. Tidak menutup kemungkinan untuk menyerap unsur-unsur kebudayaan asing yang dapat mengembangkan dan memperkaya kebudayaan nasional, serta mempertinggi kemanusiaan bangsa Indonesia.

Contoh Budaya Nasional di Indonesia. Adapun contoh kebudayaan nasional Indonesia, diantaranya yaitu. Pakaian Nasional, contohnya batik dan kebaya. Rumah Adat Nasional, contohnya rumah joglo dan rumah gadang. Alat Musik Nasional, contohnya gamelan. Kesenian Nasional, contohnya kesenian wayang kulit. Masakan Nasional, contohnya masakan rendang Padang. Peninggalan Bersejarah, contohnya Candi Borobudur dan Candi Prambanan.

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